Had a couple of recent questions about the font on the setlists in the paperback, which caused me to realize I never blogged about the origin of that in any detail. Could have sworn I did, but a quick scan of the archives proves otherwise. Here we go:
Once upon a time a designer named Chank Diesel put together something called the Rockstar Font Project. He basically took handwriting samples from musicians and turned them into fonts. Participants included Mike Doughty from Soul Coughing, Kelley Deal from the Breeders, Steven Drozd from the Flaming Lips, Mark Sandman from Morphine, and Everlast from House of Pain.
Being a big Soul Coughing fan I downloaded the Mike Doughty “Wichita” font shortly after it came out, messed around with it for 10 minutes, and then forgot all about it since I didn’t really have a practical use for it. (Origin story in Chank’s own words is available at WBR.com)
Flashforward a decade. While working on the remastered layout of Timely Persuasion with Bryan Davidson we hit upon this idea of doing the Local Boy setlists in a handwriting font. Originally we tried the Apple “Marker Felt” font, but it felt sort of cheesy and overplayed. I suddenly remembered Wichita, and miraculously managed to copy it over each time I switched computers over the years.
I emailed Mr. Diesel regarding permissions and he was super cool about it, as was Mr. Doughty when I let him know of his inspiration. And there you have it.
While we’re on the subject of Mike Doughty, check out his amazing new album Sad Man Happy Man. I know this sounds odd coming on the heels of my Benji Hughes post, but this is another of those rare, expectation-defying albums I just can’t get enough of. Beats out Dark Night of the Soul for my album of the year crown, and when the newness clears might even give Skittish a run for its money on the “best album ever” front.