1. I Had a Dream That You Were Mine — Hamilton Leithauser + Rostam
I love when my favorite album of the year comes out of nowhere. I listened to this on NPR first listen because I liked the title and Hamilton’s last name. And I pretty much haven’t stopped listening to it since. Never been a big Walkman fan, though in hindsight I always liked the music of Vampire Weekend more than the lyrics. Sooo good.
2. Wild Dark Metal — Mason Jennings
Probably Mason’s best record since Blood of Man (if you don’t count The Flood as an excellent collection of older songs) — and somewhat of a companion piece with the electric guitar focus. He didn’t tour for this album, and an interview seemed to suggest he’s contemplating retirement. I hope he doesn’t hang it up for good, but completely understand if he needs a break.
3. Ruminations — Conor Oberst
This is the first time I’ve genuinely loved a Conor Oberst record top to bottom on my own vs. slowly come around to it based on my wife’s interest in it.
4. Give It Back To You — The Record Company
This one feels weird to me in some regards since I’ve been a fan of this band for so long that these aren’t really “new” songs to me. But super proud of the buzz they’ve achieved in the leap from “best local band in LA” to “Grammy nominated artist for best contemporary blues album.”
5. Songs in the Key of Animals — Benji Hughes
Another time travel moment since this tied for my second favorite album of 2014 in its original form, but got a re-issue on Merge with a different track order and some new flare to a few of the intros/outros of the songs. Love that Benji is getting more well-deserved exposure, though I’m still a little baffled by the re-ordering since I’ve always thought the “draft” version was especially well sequenced. Maybe I’ll get to ask him someday.
6. Emotions & Math — Margaret Glaspy
Favorite debut of the year — if “debut” is defined as “first release by someone I hadn’t heard of before.”
7. Life in the Dark — The Felice Brothers
1. Couples Skate — Robert Ellis
2. O’Brien is Tryin’ to Learn to Talk Hawaiian — The Mr T Experience
3. Two Dollar Man / Old Daze — Mason Jennings
4. Freaky Feedback Blues — Benji Hughes
5. Plunder — The Felice Brothers
Sweet Spirit @ ABGB 1/31/16
They did a cover from Blackstar shortly after Bowie’s passing — and then went straight into an awesome rendition of “Young Americans” that brought down the house.
Benji Hughes @ The Bootleg Bar 2/4/16
My grandmother passed away this year. The funeral was the weekend before this show. I was scheduled to go to LA for work and could have been off the hook no questions asked, but decided to keep the trip anyways. Whether it was too soon or not is still debatable, but seeing Benji and hearing “I Hate When Pretty Ladies Die” live at this show was exactly what I needed. RIP, Gram.
Smooth Hound Smith @ ON A RIVERBOAT (!!!) at SXSW 3/18/16
I already covered this show in the SXSW recap, but man was that fun.
Supersuckers @ The Continental Club 3/19/16
This one didn’t get too much detail in the SXSW recap, but was a highlight. When the schedule first came out and I saw the Supersuckers were playing the Continental at 1am I was pretty sure I’d be going by myself, but somehow managed to convince my wife to join me (as well as our friend Hunter) and a good time was had by all.
Reverend Horton Heat & Dale Watson @ Strange Brew 7/23/16
Dale Watson became our discovery of the year due to this show. And I fulfilled my musical bucket list item of finally hearing “Liquor, Beer & Wine” live. One of four times I saw the Reverend this year after way too many years off.
Felice Brothers @ the Sidewinder 10/5/16
Super cool venue, super cool setlist by a band that’s really coming into their own. And we kept up our remarkable run of consecutive shows where they play “Marie” — still my favorite song of theirs.
The Record Company @ Antone’s 11/12/16
Coverville introduced me to the Record Company years ago based on their awesome cover of “So What’cha Want?” by the Beastie Boys. My favorite part of this show was turning around to watch the crowd while they played it, watching everyone slowly reach the same revelation about what song it was when the signature guitar riff kicks in. I also got to ask singer Chris Vos about the lyric change on “This Crooked City” from “…and we shared a couple of beers” to “…and we shed a couple of tears.” Both work well, but completely change the interpretation of the song. He laughed when we screamed the older “beers” version during the set, and later told me “to be honest, I still sing beers sometimes too.”